Thursday, April 4, 2013

Website




1.)   Make a list of some web design features that actually work to get your attention and capture your interest.

I really like the first website. The way the photos appear (sort of as an informational file, or a photo album) is interesting, and the visual flourishes that frame the text are interesting and make it seem like you aren't reading much. The unique look of the tabs also makes me want to actually click through the different contents of the page so see what comes next visually, even though I'm not that interested in the topic.

2.)   From the examples you’ve looked at, what website elements are the most professional, visually appealing, and persuasive (in terms of keeping your interest)?  What features are least persuasive, professional, and visually appealing? Be specific when referring to websites.

Going again off the first website, I think all of the visual elements are quite impressive and professional, and as I said I like the tabs, but the titles given to the different sections are the flaws. Titles like "Traditional Essay," "Visual Essay," and "Prezi" don't tell us anything about what unique information each section will hold. It's very obviously been designed for a class, and while that's not necessarily a bad thing (since it was designed for a class), it kind of limits the audience. The sites about electric cars and antidepressants aren't perfect (or even as visually striking as that first one), but their layouts open them up to a more universal sphere.

Elsewhere, bad font color/background combinations make it difficult to read the text (see: Antidepressants home page), an easily fixed issue that makes the site look both sloppy and unprofessional.

3.)   What types of background information and details do you need as an outsider to appreciate the projects posted on others’ websites?  Is there such a thing as too much background information? (Give examples.)

I think most of the sites do a pretty good job of telling you right away what they are about and what their goals are. I would argue that the majority of the home pages could actually use more introductory information to orient readers to their cause. If a website is laid out to represent an editorial argument, then shouldn't the entire contents of the editorial's introduction and thesis be represented on the home page?

Where the possibility for too much background information exists is in the background of the class assignment in and of itself. No indication needs to be given that this website has been created as a class assignment. The site should stand on its own.

4.)   Consider these two options: encountering links to projects, giving you the option to download them if you want to. Or, alternatively, seeing the full text /project visible on the webpage. What are the advantages and disadvantages (persuasively speaking) of each option? How might a link to a project that includes a screenshot of it (rather than just a text web address link) persuade you to look at that project?

I think the most effective answer is always hosting the file/project/photo/etc. on the page. Links can be beneficial (I am toying with the idea of having a complete "Links" section, where I direct readers to other essential reading about my topic), but there's no need to take readers out of your website to read your content. Such a design disrupts the viewing process and basically makes readers question whether they want to go back to your main site. Attention spans are short enough as is: no need to break audience attention once you have it.

5.)   What stylistic features are appropriate for an informative—but also engaging—academic webpage? Think in terms of writing style; amount of background information; color schemes; fonts; and number of images/videos/projects per page.

I think that generally, the fewer colors the better. Professional webpages usually have two-hued color schemes, and those lend a classy atmosphere to the information. In that same vein, more no-frills backgrounds assist in keeping the focus on the text

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1) These four images, when looked at together, appear as if they all could have been produced at the same time by the same outlet. On first glance, it is difficult to determine which images come from the RIAA and which come from their opponents. All feature the same pirate imagery, either through the black and white color scheme, the skull and crossbones symbolism, or both. It is only with the text that the true meanings of each image are illuminated, which is an interesting point, and one that goes against the recommendation of Helmers to first analyze and image WITHOUT text.

2) The first image was a part of the campaign by the British Phonographic Institute in the 1980s, as they went to war against the alleged copyright infringement created by the cassette tape technology. Tapes allowed people to easily copy music, either by taping pieces of their own record collection onto a compilation (the mix tape phenomenon), taping songs off the radio, or copying friends' albums. The BPI felt threatened by this trend and thought it would render their distribution model obsolete, so they rejected it. Of course, history has shown that the mix tape idea actually helped to grow artists' fanbases, and the BPI campaign is now viewed as an extremely hyperbolic movement, this image and slogan leading the charge. The third image uses the same wording and similar imagery